INIMI NINIMI de George Anca

 MIRCEA VULCĂNESCU       

Psychological element (soul)

Existing studies – Drăghicescu (imitative apriorism)

                      - M. Ștefănescu (decretive apriorism)

Dynamic precipitations of history into actuality: (Iorga)

Theory of temptations – temptations as possibilities to be

                              - temptations as impulses and minimal resistances

Ethos: Sui-generis structure of temptations; catalysis of historic evolution.

Poland – contrary synthesis of Slavs with Rome;

             Catholics – Slavs – Poles

             Latins – Ortodox – us.

National temptation: Aron Pumnul. Pârvan. Blaga. Revolt of non-Latin basis.

                              Iorga. Crainic. Botta.

                             (Scepticism, balance, obstination, patience.)

Roman temptation: legality, character, constancy, Jesuitism: Blaj. ([Iuliu] Maniu).

                         Mountains. Latinists.

Byzantine temptation: (Iorga, Hașdeu, Eliade).

                             Politics, glamour, ostentation, intrigue, robberies, altruism,

                             tolerance.

Slavonic temptation: (Stere – “Viața românească”).

                             Religiousness, carelessness, softness, excitement,

                             adaptability, delicacy.

French temptation: The ’48 generation. Expression.

                           Getting out of self as character passage (imitation).

German temptation: Junimea members. Eminescu.

                            Metaphysics. Return to self.

                            (odd aspect of German influence).

                            Not dislocation, but colocation.

Jewish temptation: Modernists. (Time. Now or never). Art.

                           Getting out of self; dislocation, no modality: trends (vide) (?).

Hungarian-Polish

temptation             : form of Roman temptation, combined with a Byzantine one.

(Greek-Bulgarian) 

Balcanic temptation: new form of trivial Byzantine temptation

Gypsy temptation: (excitement, tenderness, noisy attitude, charm).

                          Syntheses: mahalatta.

Groups (the rest): Eastern temptation (contemplation, shameless, passivity,

                         balance, scepticism).

                         Western temptation (of the city) (’48). (Activity, organization,

                         social mysticism etc.).

                         Temptation of the North (of the mountain).

                         Temptation of the South (of the plain, the water, the field and the

                          Danube).

Representative Romanians: synthetic.

French (logical) statement

German metaphysics

Slavonic religiousness

Jewish – Gypsy art

Byzantine politics

Balcanic modern life

Native – German thought

Slavonic – Gypsy feeling

French – Jewish expression

Balcanic – Byzantine action but with Roman criterium.

1. Slavonic – Gypsy (deep, tender) feeling

2. Tracian – German (hard, substantial) thinking.

3. French – Jewish (relational) statement.

4. Balcanic – Byzantine performance (individualism), but with Roman criterium (which

    is cared for by the community).

We like or we do not like,

These are the real characteristics that we bear in ourselves.

As synthetic elements of the Romanian:

- the substantial Romanian dimension (qualitative) and the relational French one

                             (quantitative)

- the limits of assimilation of “Slavonic soul”

     (does not dislocate the self).

Operation of quantitative stubborness.

- Byzantine glamour and Romanian glamour.

Predilaction for “forms”. Ritualistic sense.

- Byzantine balcanism and slavonic – Gypsy sensivity (its limits against peasants' sobriety.

   Easiness of dislocation and total amorality (as criteriality) of the dislocated.

- Getting out of himself of the Romanian (Water disturbance).

Capitalist economy and Jewish ethos.

Jewish ethos in art.

          Therefore, within the soul of this people, there is a temptation of Rome, one of our non-Latin basis, a Greek-Byzantine temptation, one or maybe two Slavonic temptations: a Slavonic-Balcanic one, another of Dostoievski’s Russia. There are also so strong French and German temptations, that they could alienate us. A Polish-Hungarian temptation of pride – especially in Transylvania.

          All these temptations historically materialized into political and cultural currents that are important in different times.

          And which continue to polarize.

          The Rome temptation which generated Romania’s modern cultural history provided us with chronicle writers, religious unity and Latinist school; today it is present in Blaj, with its endless row of canonicals.

          The Greek – Byzantine temptation welcomes the Bucharest citizen as well as he reaches Mogo]oaia.

          The Slavonic – Byzantine temptation gave us the monasteries.

          The revolt of our Tracian basis gave us Lucian Blaga, Vasile P@rvan, Nae Ionescu, the nationalists.

          The French temptation? The land ’48 dimension of our whole culture.

          The German temptation gave us the Junimea political reaction.

          The Russian temptation – the people current and partly, Semănătorul current.

DANIEL  VORONA

fluieram duios un câine smintit îl invitam în oraș cumpăram o pâine și un os

ps

există un eu în care mă ascund în fiecare an de frică să nu rămân repetent...
mă uit fix fac zgomot (noaptea cânt la țambal) nu mănânc de post
(dacă tac sunt cu o femeie mai sărac) pisica ta neagră trage după
ea un gălbenuș de ou îmi urlă la ureche același comunist metamorfozat
în polițist literar -- a fost o maimuță tristă -- pentru multe fapte bune ești
un conțopist rău răspund du-te în camera părinților nu ți-am dat telefon
ești râșnița cu motorul ars ar trebui să te arunc uite așa în foc nimeni să
nu mănânce din mâncarea ta bate la ușă aruncă-te în rugăciune
imprimate în sudoare ale cui sunt degetele care flutură în v al cui
este papagalul care cântă în limba ta când pe deasupra noastră trece vaca

pps

fur tămâia de pe umerii fecioarei maria tu îți ascunzi fața în frunzele moarte